Review: I Survived ‘Anaconda’ (and Kinda Had Fun)
Big snake. Big camp. Mixed payoff. Anaconda is a self-aware creature feature that delivers fun performances and solid jungle atmosphere, even if its rushed finale leaves the bite feeling a little weak.
‘The Housemaid’ Review: A Psychological Thriller That Thrives on Pacing and Performance
The Housemaid doesn’t reinvent the psychological thriller, but it doesn’t have to. This review explores how the film’s sharp pacing, controlled performances, and unsettling domestic tension elevate familiar genre elements into a consistently engaging experience, with standout work from Amanda Seyfried and a surprisingly grounded turn from Sydney Sweeney.
‘Wicked: For Good’ Review — A Visually Stunning but Uneven Finale
#Wicked: For Good is, well, good! But much like the musical’s first act, I still think the first film remains the stronger entry. That said, the cast, music, cinematography, and (mostly) the effects are phenomenal. A few story choices could have used more development to really land, but overall it’s a fitting conclusion. The cast and crew should be proud of what they created.
Review: ‘Sentimental Value’ Delivers One of the Year’s Most Tender Family Dramas
Sentimental Value is a quietly devastating exploration of what happens when art, memory, and regret collide. Joachim Trier crafts one of his most intimate films yet, following a once-famous father trying to reconnect with the daughters he left behind in pursuit of his craft. The performances—from Stellan Skarsgård to Renate Reinsve—are layered with quiet emotion, while the film’s delicate cinematography mirrors the fragility of its characters. Trier refuses easy answers; instead, he offers a tender, deeply human portrait of how families fracture, heal, and ultimately rediscover one another. It’s a masterpiece that lingers long after the credits roll.
Review: Edgar Wright’s ‘The Running Man’ Is a Bold and Exhilarating Reinvention
Edgar Wright reimagines The Running Man with exhilarating purpose. His direction is a masterclass in tension and visual rhythm—long takes, kinetic camera work, and a dystopian world alive with movement and menace. Glen Powell’s grounded performance anchors the chaos, while Wright turns surveillance and spectacle into pure cinematic electricity.
‘One Battle After Another’: Paul Thomas Anderson’s Timely Frenzy - Review
Paul Thomas Anderson’s One Battle After Another is a furious, timely, and star-powered ride. Leonardo DiCaprio anchors the chaos with a commanding performance, while Anderson’s script crackles with energy and sharp commentary on our current moment. Though the third act doesn’t fully deliver on the film’s promise, the journey remains a bold and thrilling reflection of our turbulent times. Read our review.
In an era dominated by remakes and requels, Silent Night, Deadly Night returns not as a hollow exercise in nostalgia, but as a slasher that understands both its legacy and its controversy. Originally released in 1984 to intense backlash, the film has long occupied a strange place in horror history—reviled by some, embraced by genre fans. This new iteration doesn’t shy away from that baggage; instead, it reworks the story with intention, justifying its existence through bold narrative choices and a clear affection for the slasher tradition.