‘Materialists’ Surprises with Substance and Style - Review
Headed into Materialists expecting a glossy, maybe even superficial take on modern romance — a love triangle in designer clothing. But what we got was something far more introspective. Celine Song isn’t interested in just telling a love story; she’s questioning what love even means in a world obsessed with status, power, and image. The film surprised us with its emotional weight, offering a layered exploration of how relationships are shaped not only by desire, but by the things we’re too afraid to say and the lives we’re too afraid to leave behind.
In an era dominated by remakes and requels, Silent Night, Deadly Night returns not as a hollow exercise in nostalgia, but as a slasher that understands both its legacy and its controversy. Originally released in 1984 to intense backlash, the film has long occupied a strange place in horror history—reviled by some, embraced by genre fans. This new iteration doesn’t shy away from that baggage; instead, it reworks the story with intention, justifying its existence through bold narrative choices and a clear affection for the slasher tradition.