Review: Edgar Wright’s ‘The Running Man’ Is a Bold and Exhilarating Reinvention
Edgar Wright reimagines The Running Man with exhilarating purpose. His direction is a masterclass in tension and visual rhythm—long takes, kinetic camera work, and a dystopian world alive with movement and menace. Glen Powell’s grounded performance anchors the chaos, while Wright turns surveillance and spectacle into pure cinematic electricity.
In an era dominated by remakes and requels, Silent Night, Deadly Night returns not as a hollow exercise in nostalgia, but as a slasher that understands both its legacy and its controversy. Originally released in 1984 to intense backlash, the film has long occupied a strange place in horror history—reviled by some, embraced by genre fans. This new iteration doesn’t shy away from that baggage; instead, it reworks the story with intention, justifying its existence through bold narrative choices and a clear affection for the slasher tradition.