‘The Housemaid’ Review: A Psychological Thriller That Thrives on Pacing and Performance
The Housemaid doesn’t reinvent the psychological thriller, but it doesn’t have to. This review explores how the film’s sharp pacing, controlled performances, and unsettling domestic tension elevate familiar genre elements into a consistently engaging experience, with standout work from Amanda Seyfried and a surprisingly grounded turn from Sydney Sweeney.
In an era dominated by remakes and requels, Silent Night, Deadly Night returns not as a hollow exercise in nostalgia, but as a slasher that understands both its legacy and its controversy. Originally released in 1984 to intense backlash, the film has long occupied a strange place in horror history—reviled by some, embraced by genre fans. This new iteration doesn’t shy away from that baggage; instead, it reworks the story with intention, justifying its existence through bold narrative choices and a clear affection for the slasher tradition.